Monday, September 17, 2018

artist life --- sold a few paintings, met a few people

Art Show #1

On Saturday, Sept 15, I hosted the first of two art shows at my studio home in Drayton.

Glad to say that I sold 4 works (possibly five pending if painting matches someone's couch) including Sweet Trash, Bright Bassoon, Diva, Missive and Fox Trot II and these works will be making their homes in Waterloo, Orangeville, Drayton and Los Angeles.

Next show is Saturday, Sept 29 from 11am to 4pm for Culture Days Ontario and I will be showing some hitherto unseen new works for the first time. There will also be posters and cock-a-doodle-doo coffee mugs available with the cultured rooster from my poster!




This past weekend, I displayed a large swath of my work, from 1998 to date with 30 new works being shown for the first time. My junior artist colleagues came over early to set up their art and treated the numbered catalogue as the key to a treasure hunt.

On the beautiful hot September afternoon, friends and neighbours came to visit and the even the mayor of Mapleton attended. And ten young people came to look at the art, ranging in age of 3 to 15 years old. They were vocal about which paintings they would like to buy and they generally had expensive taste.

I featured guest artists, including Dawn McLeod, a Drayton-based photographer who specializes in wildlife and nature shots. She is working on a new website to show her remarkable and sensitive art photos. She also photographed all of my art for my website shop, a difficult task and a godsend for me to have.




The junior guest artists were my youngest neighbours, Caitlin, Hannah, Daniel and George Rogerson who displayed a large selection of the clay objects that we created during the year after our intermittent bassoon lessons, plus paintings that they have done. I wanted them to have the opportunity to expose their art to more people and also to see it in a new space.







At the end of the day, after almost everyone had left, I taught a bassoon lesson to a gifted young player who had driven in from Toronto, starting our official lessons for the year. After a day of thinking about art, we focused on the fundamentals of sound, finding ways to let the full spectrum of tone colour emerge from having a correctly formed embouchure and airstream… amazing how quickly and immediately young people can understand. The sympathetic acoustic of my church-turned-studio, which is even more resonant now that I have decluttered, revealed the quick changes in tone production that my student was able to make.

Having an art show is a bit like presenting a solo concert… you muster the faith and courage to present your best work in the present moment.  Doubt may flicker, but really, taking the step to bring our work to other people is as important as anything in becoming an artist. Oddly though, I am fearless when it comes to showing my visual art, though I was quite tired the next day! Regardless, I know that it is essential to have many and frequent opportunities to present my work and music, and for that reason, I also work hard to provide opportunity and support to others. And I am as grateful as can be to those who helped me on my way, including everyone who came to the show, the kids, the neighbours, the buyers and fellow musicians and artists.  We really are all in this together. 






Friday, September 14, 2018

New Art, New Start


New Art, New Start  

I am hosting two art shows in my studio this month and hope you can come to one or both. There will be snacks from local vendors including A La Mode and River’s Edge Goat Dairy.

Saturday, September 15 from 3pm to 6pm at 16 Spring Street, Drayton, Ontario.

Featuring about 30 new works that I have done since moving to Drayton and a sampling of my art from the past two decades.  The cover feature is Fox Trot. This large oil painting celebrates the fox that ran past me at 5 am on the day I moved to Drayton in 2015.  Photographer Dawn McLeod will also be showing some of her works and there will be a display by local junior artists, Caitlin, Hannah, Daniel and George Rogerson.



The second art show will be on September 29 from 11am to 4 pm as part of Culture Days Ontario and will feature some extra works that won’t be at the first show (logistics), with a total of 103 works. And there will be posters of this featured rooster... 18" x 24" for $40 as the original is in a private collection.

Various musicians will join me at both shows, including Philip Morehead, Pat Morehead, Lucas Rogerson and others. All musician friends are welcome to make the walls ring during the show.

And if you want to buy the walls that the paintings are hung on.... I've been working hard all summer to move my archives and gear up north, and preparing to put my big beautiful historical 1890 stone and brick former church studio building officially on the market September 29.  Here is a sneak preview of the photos… heaven on earth for musicians, artists and anyone who relishes the high building standards of the past combined with modern upgrades!

I will be touring again in 2019 and rebuilding my teaching studio in Toronto. I am still on faculty at University of Toronto and the Glenn Gould School. And my big fat everything you want-to-know-about-my-bassoon-technique tome that I am writing with bassoonist Kevin Harris will be ready this fall.

Yesterday, played a most enjoyable concert with Pat and Philip Morehead for the 15th anniversary of one of the PROBUS (business) association in Huntsville, then drove to Toronto for dinner with my son before he flies to San Francisco to start an internship with another AI company. While awaiting his delayed visa, he continued work on one of his own development, Tab Nine... a program to help coders program more quickly (auto completer)... at least, that's what I think it is... take a look at Tab Nine here.

Many of the paintings are uploaded to myshop on my website and I have a catalogue that I cannot figure out how to upload.  Once I figure it out, proofreaders always welcome to pipe up!

I will write again soon and meanwhile, I am always glad to hear from you about the music or the art or anything.
xoxox
Nadina






 

Sunday, June 17, 2018

Father's Day - Sol Schoenbach, teacher

Father's Day... Though our own father's come first, our professional mentor fathers are very important.

I've had great bassoon teachers, including Bernard Garfield, Sol Schoenbach, Christopher Millard and Gerald Corey. All of them were hugely successful and gifted performers. And fathers. And as teachers, they all gave their best and remained friends with me.

Friday, November 3, 2017

MUSIC, MONEY, SUCCESS & FAILURE - Part Two - who were your teachers and what did they teach you?

MUSIC, MONEY, SUCCESS & FAILURE  - Things I Keep Learning  From My Amazing Yet Weird Career

 Part Two - who were your teachers and what did they teach you?

We cite their accomplishments as if they were somehow our own and we often have a childlike parallelism, something along the lines of  “if my teacher plays in an orchestra, then I can too.”

Whatever the catalyst, their inspiration will be remembered in one incident or sensation. Your teachers are found everywhere, throughout your life.  Not all of them teach us good things.

Friday, October 27, 2017

MUSIC, MONEY, SUCCESS & FAILURE - Part One

MUSIC, MONEY, SUCCESS and FAILURE  - Things I Keep Learning  From My Amazing Yet Weird Career

Part One -  how long did it take you to learn that concerto?

After my most recent concerto concert on October 11, 2017, a bright-eyed student asked me how long it took me to learn the challenging and beautiful Apollo X concerto for bassoon, strings and percussion, written for me by Paul Frehner.
Second performance of Apollo X
photo by Bo Huang photography

Sunday, October 15, 2017

OUT OF THIS WORLD - new music


Last Wednesday night, October 11, 2017, I played four new works for bassoon and strings and percussion with my Out of This World Orchestra.   Two of the works were written for me and I am connected to all of the composers. 

The intense main concerto, Apollo X, composed by Paul Frehner for me and Orchestra London in 2013, has three movements inspired by various popular songs from the 1960s and 1970s that were, in turn, inspired by the Apollo space program and the race to put a man on the moon. Extended virtuosic passages of rhythmic precision and complexity, contrasted with some harmonics and Berio trills along with mysterious floating textures from the strings and percussion.  It is a very absorbing piece to play and it is surprising and beautiful to hear.

Thursday, December 1, 2016

SOLITARY REFINEMENT
Ideas on practicing
Nadina Mackie Jackson

As a result of preparing two particularly challenging pieces this fall (Silver Angel by Constantine Caravassilis & Sonata Concertante by Nikos Skalkottas), I am in the process of compiling & publishing my first comprehensive book on technique.  And thinking a lot of what it means to practise. 

If you have a musical goal and a powerful feeling of how you want it to resound, you will find the path, or rather, the many branching paths.  Astonishingly, they will occasionally link at a point that is not visible from your present perspective.

Sunday, April 3, 2016

GO JUMP IN THE LAKE! Learning to swim in new places

My life is always nuts. Even though I am just a quiet little blue-haired bassoonist, trying to look after my family, students, pay bills, update my website, make art, make reeds, light a fire under my snoozy management and play concerts, other stuff is always happening.  My lawyer doesn’t even say hello when she answers the phone these days, she just laughs and says, “What now!?”

Thursday, March 31, 2016

GENDER & CLASSICAL MUSIC – some interesting questions from a university student



Once or twice every year, I get interviewed by high school or university students and I find that they ask very relevant questions.  I have decided to post the questions and my hasty answers as they cause me to reflect on areas that I have chosen to forget or ignore.

In the past, these are the kind of questions that we (women and musicians generally) would answer in neutral and veiled terms, and while I hope that I've honestly avoided that, it becomes second nature as we try to protect ourselves from being seen as troublesome.  It is time for classical musicians to be more candid, if only to make our stories more interesting.  And also to explain some of the weirdness and occasional inability of classical groups to thrive.  Even the effort to share our experiences candidly gives us experience in expressing our uniqueness.